Todd Dominey

Every videographer and filmmaker strives for perfectly exposed footage in camera. In reality however, footage often turns out over or underexposed. This can be accidental or intentional, for many videographers slightly overexpose their C-Log footage to create better looking skin tones and reduce noise. Canon's official Rec.709 LUTs do a good job of converting C-Log to Rec.709, but their LUTs are designed for perfectly exposed footage. That's where these Exposure Correction LUTs come in! These 84 custom LUTs convert Canon C-Log and C-Log 3 footage to the Rec.709 color space AND normalize exposure using the proper C-Log gamma curve. They are modeled on Canon's official Rec.709 LUTs for all EOS R mirrorless cameras. Footage overexposed by 1 stop? Use the -1 Stop Rec.709 LUT. Footage underexposed by 2/3 a stop? Use the +0.66 Rec.709 LUT. Under and overexposed footage (within 2 stops) are instantly corrected, and appear as if you nailed their exposure in-camera. These LUTs are a huge timesaver (I know, I use them all the time), especially when importing and editing lots of footage that needs to be converted to Rec.709. Video demonstration of these LUTs (YouTube)https://www.youtube.com/watch?v=LGcUb-hDMLw

Nine (9) custom built LUTs for the DJI Air 2S. Each 3D CUBE LUT transforms D-Log M footage to the standard Rec.709 color space. Package includes matching XMP profiles for color grading still images in Adobe Camera RAW, Lightroom Classic and Lightroom CC. BASIC — Clean, simple Rec.709 transform that provides a filmic baseline for additional creative color grading AIR — Creamy, pastel tones with super soft shadows and highlights EARTH — Deep warm tones and silvery highlights  FROST — Soft contrast with crystalline blues and greens GOLDEN — Vibrant, warm highlights and deep reds REEF — Aquamarine blues and greens with dense oranges and reds SAND — Soft midtones and shadows, compressed highlights, warm pastel vibe SKY — Pleasing blue skies and green midtones TWILIGHT — Dusty blue hour magenta and purple tones See example footage here: https://www.youtube.com/watch?v=JdVYq_qtdzs Complete installation, setup and usage instructions, plus recommended DJI Air 2S settings for optimum video quality. Here's the Installation and Usage Guide (PDF) and Air 2S Setup Guide (PDF) if you'd like to check them out. These LUTs are designed specifically for D-Log M on the DJI Air 2S. These LUTs can be used to color grade D-Log M footage captured using other DJI drones (eg, Mavic 2 Pro, Mavic 2 Zoom, Mavic 3), but D-Log and D-Log M is a little different in each drone, so know that additional adjustments may be necessary. (Note: in mid 2023, DJI changed the name of "D-Log" to "D-Log M" on the Air 2S through a software update. Any references to "D-Log" in documentation or otherwise now refers to "D-Log M" on the drone)

I got tired of creating the same masks over and over when editing photos in Adobe Lightroom, so I created a collection of simple, lightweight, single-click presets to help save time and automate repetitive tasks. These presets are free to download and use, but hey, feel free to buy me a coffee if they prove helpful! Bloom SkyBloom SunlightBurn BottomBurn Bottom - Inverse SkyBurn Bottom LeftBurn Bottom RightBurn Bottom and CenterBurn Center - InverseBurn CenterBurn LeftBurn RightBurn Sky - LinearBurn SkyBurn TopBurn Top LeftBurn Top RightCyan Blue SkyDehaze SkyDesaturate Blue SkyDesaturate ShadowsDodge - Inverse SkyDodge BottomDodge Bottom LeftDodge Bottom RightDodge Center - InverseDodge CenterDodge LeftDodge RightDodge TopDodge Top LeftDodge Top RightIncrease Subject ClaritySelect Background - InverseSelect BackgroundSelect HighlightsSelect ShadowsSelect Sky - InverseSelect SkySelect Subject - InverseSelect Subject